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Spare no detail ART DIANA ROSS, NUDE GOLFERS, TOM STOPPARD'S 'SEXY MOUTH'... MATTHEW CARR HAS DRAWN THEM ALL, WITH UNRIVALLED INTENSITY. HE TALKS TO DAVID JENKINS ABOUT HIS SURPRISINGLY COLOURFUL LIFE

THERE'S NEVER A DULL MOMENT IF YOU'RE A

neighbour of Matthew Carr. It might be that a limo draws up outside his Barons Court home in west London and disgorges Diana Ross - 'My standing in the community soared,' says Carr, his rich, rather grand voice suffused, as it often is, with self-mocking laughter. But his self-esteem plummeted. He so loathed the resultant painting, and the palm trees that Ms Ross asked to be placed in the background, that he was driven to giving up portrait commissions - and heroin. It was, he implies, the rebirth of him.

Or if it's not La Ross, it's a hairy glass-fibre rhino being manhandled up the four flights of stairs that lead to his Chelsea studio by a gang of ...

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