Article: Light versus dark Bill Henson is Australia's most feted contemporary photographer, a modern master of chiaroscuro. As a new collection of his works are published, he gives a rare interview to Sebastian Smee

AS ANYONE WHO has seen an installation of Bill Henson's photographs will tell you, the first time is difficult to forget. The room is generally darkened. The photographs, large, slightly rippling prints, are pinned to the wall. And from the slender amount of light accumulating in pockets in the actual images, you sense that it is either shortly after dusk or an hour or two before dawn - an hour when even real events take place as if in a dream.

There are those who criticise Henson's presentation as some kind of improper seduction. Their uneasiness is fired, perhaps, by the recurring presence in many of the photos of a handful of adolescent- looking faces and bodies, both male and female. ...

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