Article: Samuel Beckett marks 80 years of absurdity // Goodman stages his `Happy Days' as birthday salute

You are entering the Beckett zone:

Two men, dressed like ragged vaudeville clowns, stand in the middle of a barren landscape chomping on carrots.

One man who can't sit down and another who can't stand up, are locked in a basement room, along with an old couple (who may be their parents) who are living in garbage cans.

Two men and a woman, encased in giant clay jars so that only their heads are visible, talk about an ambiguous romantic encounter.

A seedy, bitter old man takes stock of his life as he listens to a tape recording from earlier days.

A tattered old crone shuffles back and forth across the stage in measured paces, listening to her inner voices.

A disembodied mouth - ...

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