Article: `Cryptogram' Echoes Mamet's Childhood

NEW YORK David Mamet's new play, "The Cryptogram," is unquestionably the most devastating depiction of emotional child abuse I've ever seen on a stage.

Over its 80 minutes, Mamet's unutterably grim family portrait also goes a long way in explaining the pervasive streak of hostility and psychological cruelty at the core of the Chicago-bred playwright's work. And not surprisingly, as good old Dr. Freud might have guessed, the root of the rage can be found in a deeply traumatic childhood.

"The Cryptogram," which opens tonight at New York's intimate Westside Theatre (I caught a press preview last weekend), has already been staged in London, and received its American debut in Boston in ...

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