Article: MUSIC

Is that distant rumble the sound of Adolphe Sax turning in his grave? Sax, who died 100 years ago last week, intended his saxophone as part of the symphony orchestra, but during his lifetime, notwithstanding the work of one or two imaginative colourists, it was seen as a sport, a hybrid with aberrant characteristics.

Now, after jazz and rhythm and blues have blazed a trail, compsers are more willing to use the instrument. As a result, a player like John Harle, allying fluid technique with the utmost discipline, is slowly building up a repertoire of sax concertos. On Tuesday evening, at St John's Smith Square, Harle gave the London premiere of one of the more recent examples, Michael Nyman's ...

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