Article: Talking pictures with Annie Leibovitz

When you enter the exhibition of Annie Leibovitz's photographs at the National Portrait Gallery you should immediately turn right. On that end wall is a series of images from Sarajevo. They are so compelling that they demand to be seen at the beginning rather than as the culmination of the show. A fallen bicycle, a huge comma of black blood in its wake; a new-born baby arched in the air, still umbilically attached; a murdered man with bloodied face cradled in his own plaid coat. Many were taken only last month. After nearly 35 years and millions of negatives, Leibovitz's eye is as tender and ruthless as ever.

The show spans her earliest days with Rolling Stone - then an irreverent, pop ...

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