Article: BOOKS

IF WHAT you're looking for in a photograph is a heart-stopping detail (a scar above the eyebrow faint as a silk thread, the white trace of a missing wedding band on a tan hand), then Richard Avedon is not your man. His pictures are the opposite of casual snaps brimming over with unconscious life. You'd never look at his pictures in search of a potential lover or to learn something about another country or as though you were thumbing through someone's family memories; his work isn't pornographic or informative or an equivalent to an album of souvenirs.

His images are composed, manipulated and artful; no incidental is accidental. His faces and bodies are inscribed against a trademark seamless ...

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