Article: MUSIC

The innate conservatism of New York's concert-going public can never be underestimated. European notions of Manhattan's musical hotbed of innovation are based on a misunderstanding; the New York represented on the Continent is exactly that funky, tonally and aesthetically democratic city which the concert halls of "Skinny Island" reject, yet we think of as inherently American. New Yorkers only want to hear Romantic European standards, a strictly enforced pre-1900 repertoire, while the rest of the world perceives Gotham as a groovy riot precisely because the composers who could never get a residency back home have to travel abroad.

Thus the New York Philharmonic mounting a season of "Modern" ...

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