Article: Arts: You don't have to be mad to work here . . .: Identifying too closely with a part can damage an actor's sanity: drivel, self- glorification or a real occupational hazard? Kevin Jackson examines the history of thespian breakdowns

Three exhibits, culled from just the past few weeks. On the second night of his one-man show about the boozy, doomed actor John Barrymore, Nicol Williamson dries after a few minutes and abandons the stage. Jeremy Brett's frank discussions in the press of his history of emotional difficulties prompt some critics to speculate about the price he may have had to pay for his brilliant creation of a neurasthenic Sherlock Holmes whose great wits are sure to madness near allied. And in Abel Ferrara's film Dangerous Game, released yesterday, Madonna plays a movie actress suffering bruises and worse thanks to the maniacal realism her on-screen partner (James Russo) brings to his role as a ...

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