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Article: Arts: You don't have to be mad to work here . . .: Identifying too closely with a part can damage an actor's sanity: drivel, self- glorification or a real occupational hazard? Kevin Jackson examines the history of thespian breakdowns
- Article from:
- The Independent (London, England)
- Article date:
- June 4, 1994
- Author:
CopyrightCopyright 1994 The Independent - London. Provided by ProQuest LLC. (Hide copyright information)
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Three exhibits, culled from just the past few weeks. On the second
night of his one-man show about the boozy, doomed actor John
Barrymore, Nicol Williamson dries after a few minutes and abandons
the stage. Jeremy Brett's frank discussions in the press of his
history of emotional difficulties prompt some critics to speculate
about the price he may have had to pay for his brilliant creation of
a neurasthenic Sherlock Holmes whose great wits are sure to madness
near allied. And in Abel Ferrara's film Dangerous Game, released
yesterday, Madonna plays a movie actress suffering bruises and worse
thanks to the maniacal realism her on-screen partner (James Russo)
brings to his role as a ...
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