Article: Mabel Poulton : OBITUARIES

When talking pictures reached Europe one of the casualties was Mabel Poulton. In the class-bound British cinema of the time, even a slight Cockney accent could be a drawback.

The year of her triumph was 1928. The Gainsborough company under Michael Balcon had acquired the film rights of the highly successful novel The Constant Nymph, by Margaret Kennedy. Basil Dean had helped to adapt the stage play for the screen and became supervisor, with Adrian Brunel directing. Dorothy Gish was rumoured to be the favourite for Tessa, which Edna Best was playing on the stage. Among many Tessas given camera tests was Daphne du Maurier. The final choice was Mabel Poulton.

Basil Dean wrote: "She possessed ...

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