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BOOK REVIEW

MICHELE ROBERTS is still busy sorting through her inventory of inherited themes and dreams - the bundles of fictional stuff bequeathed by a half-French, half-English family line, her lapsed Catholic's born-again paganism, and the legacies of her fictional foremothers Woolf and Colette. Flesh and Blood has a strong savour of Orlando about it - that is, of Woolf at her most flirtatious, bold and Colette-ish, since it's a book whose shaping metaphors are those of dressing up, cross-dressing and drag, and whose creative centre and secret space seems to be "the inside of my mother's wardrobe".

So there's immediately a seductive sensation of regression about the writing - back to the delights of ...

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