Article: ART

THE SUBJECT of Richard Cork's exhibition - and of his book, A Bitter Truth: Avant-Garde Art and the Great War - is so harrowing that no one should expect a happy expedition to the Barbican Art Gallery. I didn't find a single work there that lifted the spirits, though there are plenty of paintings and sculptures that are moving in other ways.

The show must be seen, however, and I expect that its visitors will go in homage to those who fought and fell. It's not clear how much it adds to our total understanding of the war. For the most part the exhibition is a succession of dark moments in the lives of terrified or outraged artists. A larger picture isn't apparent. The show does try to divide ...

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