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DANCE

Is it possible or, more to the point, necessary to steer clear of words like "rhythm", "colour" and "spectacle" when talking about African dance? These days, accusations of laziness, post-colonial insensitivity or just plain racism are frequently levelled against anyone who dares to enjoy the rhythmic complexity of Kenyan or Ghanaian dances, or appreciate the bright-hued costumes and sunny mood of a ceremonial procession. And yet black British troupes like Adzido don't seem in the least ashamed of the irrepressible exuberance that is their principal source of appeal.

Jawole Willa Jo Zollar's New York-based Urban Bush Women, whose dances, songs and stories explore the performers' collective ...

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