Article: THEARTRE

If any contemporary playwright might be said to have produced work that's been touched, on occasion, by outright genius, it's the Irish dramatist Brian Friel, whose latest play, Molly Sweeney, begins previewing next week at the Almeida in London. When this piece was unveiled in Dublin last August, its close affinities in form and theme to Friel's masterpiece Faith Healer (1979) encouraged many critics to imply that here was a work which matched that earlier play in poetic reach and intensity.

The Observer, for example, referred to its "already guaranteed classic status", while the Guardian roundly declared it "triumphant". The Financial Times, nearer to my own view, described it as "mere ...

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