Newspaper article from our research archive:

A stranger in the house

We imagine that Terence Stamp is in the whole of Pier Paolo Pasolini's Theorem, but his performance only constitutes about one quarter of the story. Most of it deals with the consequences of his arrival, after he moves into this family and shatters the life of each member. They all go through some sort of a transformation: the mother becomes a nymphomaniac, the daughter is completely paralysed, the son becomes an artist but ends up urinating on his own canvases and going mad.

Stamp is able to absorb and somehow understand what these people see in him and to take them to their most extreme point. And yet, in the viewer's mind, he never seems to be doing this in a malicious way or to be ...

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