Article: EXHIBITIONS: Dead uncertainties

WITH commendable ambition, the Tate Gallery has devised an exhibition of contemporary art that aims to define issues of life and death at the end of the 20th century. "Rites of Passage" is, physically, a large show. It gives more than ample space to 11 artists, and among its interests is the fashion of this amplitude: all the works are put on with great attention to their spatial effects.

The installations are important, indeed crucial, because the artists prefer panoramic or theatrical modes. The gallery floor is used as a sort of lowered stage, and darkened rooms become uncomfortable cinemas. These tactics are scarcely innovative, but they appear to be essential to the exhibition's ...

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