Article: OBITUARY: Jack Finney

Half-way through Jack Finney's 1973 novel Marion's Wall the hero Nick Cheyney is watching the original silent movie version of The Four Horsemen of the Apocalypse, the scene in the cafe where Valentino dances the tango with a smouldering Helena Domingues. All at once Cheyney becomes Valentino, at one and the same time seeing "himself" dance so brilliantly up on the screen while seeing, too, the eye of the camera following his splendid, urgent movements. And then - at what must have been a moment of pure triumph for Valentino (the scene was shot in one superb take) - Cheyney, as himself and as Valentino, is overwhelmed by a "hopeless yearning for what might have been". For Cheyney is ...

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