Article: Dance: Sleeping Beauty Royal Ballet Royal Opera House, London

To an IRA terrorist, Tuesday night's performance of Sleeping Beauty - an occasion designed to mark the 50th anniversary of the re-opening of the Royal Opera House after the war - must have seemed like a lost opportunity for yet another parcel of Semtex.

While John and Norma sat in the best dress circle seats, the Queen had to make do with the restricted view from the Royal Box. Elsewhere, the House hummed with the chatter of the "I was there in '46" brigade. But the performance, in attempting to show us that Sleeping Beauty is as much a touchstone of excellence now as it was in the Forties, was hampered by two things. First, the current, hideously designed production, courtesy of Maria ...

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