Article: Lucky dip into the myth kitty

The debate about the relevance of opera today, especially fairy- tale opera, has recently been revived: in the same way as critics call for the Great Novel of Britain in Decline, so musicians and music critics have exhorted composers - or perhaps, strictly speaking, librettists - to confront contemporary issues. Nixon in China, not Orlando; The Plumber's Gift, not The Mask of Orpheus.

The composer John Woolrich, when he asked me last year to write a libretto for him, specified that he wanted a fairy-tale: he sees the tradition of opera performance as conjoined with the carnival art of serio ludere (playing seriously), with puppet plays and street games, with conjuring and tumbling, ...

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