Article: Technofile

A few years after Giovanni Bellini completed The Feast of the Gods, its owner Alfonso D'Este, Duke of Ferrara, had the painting altered by Titian. Its current owner, the National Gallery of Art in Washington DC, has given it a new frame: a hyperframe mounted on a CD- Rom.

The disk - "an explorative and educational insight" into this single work of art - carries two principal narratives: that depicted in the painting itself, and the story of the forensic investigations into the history of its alterations. It poses the question of why the Duke felt inclined to order the reworking of what we now call a masterpiece, and induces the question of what a digital frame does for a great work of art.

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