Article: Arts: Theatre: Artificial turmoil in a curiously constipated Lear KING LEAR ROYAL EXCHANGE MANCHESTER

TOM COURTENAY performing King Lear has a certain built-in irony, since the play and film of Ronald Harwood's The Dresser has stamped him on most peoples' minds as the campy attendant to an outrageous Donald Wolfit-style knight of the theatre whose Lear is a legend. A little of the latter's titanic ego would not go amiss in Courtenay's king. In Gregory Hersov's drearily disappointing medieval-look production, he cuts altogether too clerical and spinsterish a figure.

A tragedy about exposure - to the pelting elements, to the pain of others - requires more self-abandon from its protagonist than Courtenay seems prepared for. Even when he is cursing Goneril or railing in the storm, there is a ...

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