Article: Theatre: Madness with a personal touch King Lear Royal Exchange, Manchester

Audiences at the Manchester Royal Exchange are not accustomed to shows starting at 7pm. So, despite advance warning in the leaflets, there have been more late-comers than usual hurrying into their seats at 7.30. By that stage in Gregory Herzov's admirable production of King Lear, the kingdom has been divided, the king's favourite daughter disinherited and his loyal servant banished. The main virtues of Tom Courtenay's performance as Lear are already crystal clear.

The late arrivals missed Courtenay hitching up his sparkling brocade gown and shuffling towards the throne with an informality that comes from knowing you're in charge. Once seated, his voice spells out, in those familiar ...

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