Article: The soul of Seventies jazz-rock PHIL JOHNSON ON JAZZ Joe Zawinul: Visions of Miles Davis Barbican, London

Never mind Miles Davis, whenever Joe Zawinul is on stage you begin to have visions of Rick Wakeman. It's not really the fault of Zawinul. Anyone who plays that many keyboards and appears so hemmed in by the various boxes, gizmos and wires needed to operate them, can't help but summon up the ghost of prog-rock's most over-equipped piano player.

Standing behind the bars of his prison of Korgs and Yamahas, the pugnacious Zawinul is made more pugnacious still because his kit doesn't work properly.

In another echo of Seventies prog-rock, a black-clad roadie comes and lies prone on the floor behind him to fiddle with various wires, like a car mechanic sorting brakes. There are strong words from ...

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