Article: SPEAKEASY'S `CAROLINE' CAPTIVATES

There aren't any showstopping tunes, bursts of witty rhyming, or moments of easy uplift, all characteristics associated with great musical theater. But "Caroline, or Change" is from beginning to end a masterpiece that earns its status partly by avoiding cliches of the form, and partly by substituting richer details at every turn.

This story of an 8-year-old Jewish boy, Noah Gellman, growing up in Louisiana, and his relationship to Caroline, the family's black maid, is playwright Tony Kush ner's most personal work, and he also calls it his favorite. Considering that his oeuvre includes "Angels in America" and "Homebody/Kabul," that's saying something.

While there are elements of Kushner in ...

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