Article: A LAUGHTON CLASSIC

There's more than makeup and a hugely deformed back to Charles Laughton's "The Hunchback of Notre Dame" (1939). Laughton channeled his misgivings about his own bulky body into the role, making Quasimodo, Victor Hugo's hunchbacked bell ringer of medieval Paris, almost too painful to watch. To disarm comment about his build, which he considered ugly, Laughton once likened himself to a departing pachyderm. But his masochism cuts the sentimentality in the hunchback role. Laughton is piercingly memorable as he moons self-abasingly over Maureen O'Hara's Esmeralda and rocks back and forth in the belfry of Notre Dame, trying to soothe his pain and isolation. Only in his depiction of the ...

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