Article: THE MAN WHO KNEW TOO MUCH Leonardo da Vinci: Experience, Experiment and Design

'Truly marvellous and celestial was Leonardo,' proclaimed Giorgio Vasari, his first biographer, 'and in learning and in the rudiments of letters he would have made great proficience, if he had not been so variable and unstable, for he set himself to learn many things, and then after having begun them, abandoned them.'

Vasari's thumbnail portrait of the quintessential Renaissance man, in The Lives of the Artists, conveys better than any other document the mixture of wonderment and exasperation that Leonardo da Vinci was capable of inspiring in his contemporaries.

On the one hand, Vasari sang the praises of Leonardo's incomparable intellect: 'He was the first, though but a youth, who suggested ...

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