Developed during the 1960s, 'brush painting' animation technique (shut mo dong hua) is the most unique of the Chinese animation methods. It is complex, yet graceful in its artistry, attractive to Chinese and non-Chinese audiences alike. Shrouded in mystery, the technique of brush painting animation remains enigmatic.

The challenge to work in this manner-emulating the classical Chinese art involving ink and water brush painted onto paperstarted early in Chinese animation history. Te Wei, the head of the Shanghai Film Studio's animation section, said that the notion of brush painting animation was on the tip of everyone's tongues.1 Even the Vice President of China, Chen Yi, came to ask the ...

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