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Sucking the Blood Out of Second Wave Feminism: Postfeminist Vampirism in Margaret Atwood's The Robber Bride

Margaret Atwood published her eighth novel, The Robber Bride, in 1993, when the term 'postfeminism' was becoming an increasingly prevalent concept in Anglo- American feminism. The Robber Bride depicts three characteristically second wave women - Roz the power-suited businesswoman, Charis the spiritual ecofeminist, Tony the academic - whose lives are disrupted by the reappearance of Zenia, a friend from their respective pasts, who functions as an embodiment of postfeminism and as the anti-heroine of the novel. Together, the three women represent the second wave values of sisterhood, loyalty, unity, whereas Zenia represents postfeminist individualism, sexuality, and diversity. Zenia threatens ...

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