Article: THE SHINE OF EGALITARIAN MORALITY: STAGING A CONNECTIVE AESTHETIC IN ROBERT SHERWOOD'S ABE LINCOLN IN ILLINOIS1

The Lincoln Legend of United States dramatic literature and live performance during Franklin D. Roosevelt's second presidential term is seldom analyzed in terms of its potential to affect widespread social change during the latter years of the Great Depression. Abe Lincoln in Illinois (1938) is unique in the corpus of Lincoln Legend dramas in that it takes as its narrative thread issues of national identity, encompassing not only the shifting political and social views of playwright-padfist Robert Sherwood but also wider concerns regarding die need to defend and uphold democratic values in the face of tyranny-whether ideological or economic. As Carl Sandburg wrote of the play, "I believe it ...

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