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Approaches to Debussy: An Interview with Pianist Jean-Efflam Bavouzet

My meeting with Jean-Efflam Bavouzet is to take place at the Solti Studios, set in a comfortable suburb of North London. The place is a haven of peace and tranquility, and as I am early I get a chance to quaff coffee while looking around: a marked-up copy of the Bach Saint Matthew Passion with Solti's markings stands out.

On arrival, Jean-Efflam Bavouzet greets me warmly. He is a man of effusive enthusiasm. It is unclear, perhaps, whether his enthusiasm for life is an offshoot of his enthusiasm for music, or vice-versa, for throughout our (extended) interview there was never once a hint of cutting corners for an answer.

It seems only right that we begin by discussing Solti and his part in ...

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