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PUNCHING UP THE STORY: Disability and Film

In many contemporary films, disability may be represented as a moral metaphor (The Straight Story [France/UK/USA, 1999, David Lynch]), as extraordinarily heroic (A Beautiful Mind [USA, 2001, Ron Howard]), or as the punch line of a gag (There's Something About Mary [USA, 1998, Bobby and Peter Ferrelly]). For audiences, such portrayals translate as permission-even encouragement-to feel apprehension, admiration, hilarity at the appearance of "problem bodies" on screen.1 Much has been written about disability on screen as narrative metaphor,2 but little about disability as sight-gag in contemporary films. Consider, then, Lars and the Real Girl (USA, 2007, Craig Gillespie), a kooky story about ...

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