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Gregory Lomayesva is not the loudest of the younger Native American artists who refuse to be encapsulated by stereotype crafts and "Indian art." But he is among the most persistent in terms of reinventing himself. Lomayesva's exhibition Bounce, at Ursa at the Railyard, recalls his earlier efforts at Peyton Wright and Art & Industry where, rather than push his feasy-to-like, established style, he chose to edge into uncomfortable territory and risk failure over banality.

A wordworker in the Hopi tradition, by family and training, the artist built a collector base by ...

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