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Misplaced Bodies: Probing Racial and Gender Signifiers in Ngozi Onwurah's The Body Beautiful

Exalted by poets, painters and sculptors, the female body, often reduced to its isolated parts, has been mankind's most popular subject for adoration and myth, and also for judgment, ridicule, esthetic alteration and violent abuse.

Susan Brownmiller, Femininity1

In her seminal text Femininity, Susan Brownmiller identifies what can simply be termed the mythic proportions of the female body. Idealized, worshiped, ravaged, and reviled-the female body is forever being measured (usually against the unattainable paradigms of a male imagination) and found lacking. The myth of the female body's inadequacy is crucial to my discussion of Nigerian British director Ngozi Onwurah's 1991 film, The Body ...

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