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Introduction: Antisocial Goods

The final film in the series of production/direction collaborations of Ismail Merchant and James Ivory features a screenplay by Kazuo Ishiguro. The White Countess, released in 2005, invokes many character-types, plot situations, settings and conflicts developed in his novels, making it a usefully retrospective starting point for this special issue devoted to Ishiguro. As Rebecca Walkowitz argues in her opening essay, it is necessary to pay close attention to Ishiguro's stylistic tendency towards repetition and his thematic privileging of the inauthentic if we are to understand the significance of his work in a new world of global translatability. Both qualities signify the realization in ...

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