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"You See the World of the Other and You Look at Your Own": The Evolution of the Video in the Villages Project

WHAT PURPOSE DOES ETHNOGRAPHIC FILM SERVE?' Whom is it for? Is it for scientists, television audiences, its subjects? Can there be overlaps or common goals? This is the prickly question underlying much ethnographic film production. It is routinely addressed in practice more than in theory, in part because of the economics of filmmaking. Anthropologists have not found funding either to build filmmaking into fieldwork or to establish a rigorous set of professional standards, although anthropologists such as Jay Ruby have sturdily maintained that they should. At the same time, documentary practice has evolved, divorced from theoretical concerns about scientific accuracy, although ...

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