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Poem Noir Becomes Prizefight Film

First up on the screen is the studio logo, the RKO transmitter beeping its signal out to the revolving, black-and-white world. Then the names of the film's stars appear, followed by the main title-The Set-Up-superimposed on a shot of a prizefight time-keeper, his hammer poised above the bell. At the precise moment he drops the hammer we cut to two fighters in the ring, circling and feinting, dancing in and out. No music on the soundtrack: only the boos and cheering of the crowd. All this is standard for 1949 Hollywood, right up to the credit line "From the Poem by Joseph Moncure March."

As unlikely as it seems-in the long history of the cinema, how many pictures, let alone boxing pictures, ...

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