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LETTER

Enharmonies in Back

Eric Lewin Altschuler's letter 'Enharmonies in Bach' (Summer 2008, pp.2-4) raises the interesting hypothesis that enharmonic notes and transpositions somehow 'shed light on Bach's acceptance of equal temperament over nonequal temperament'. Whilst we would all like to know precisely which temperament JS Bach preferred and how he tuned it (NB two assumptions here: (a) was there only one temperament?; and (b) did his ideas change over rime and according to musical situation?), I think that there have been no incontrovertible proofs so far, despite some recent overpositivistic theories (e.g. Bradley Lehman).

Unfortunately, the problem cannot be solved either by enharmonies, ...

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