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James Stirling's light touch is exemplified in a triptych of university buildings, says Patrick Lynch

James Stirling was always a Modern architect, but Modern in the same sense as Palladio. Agile, pragmatic, ambitious, eclectic; in possession of knowledge of types, yet not enslaved by them; confident with tradition but even more so in their own talent. It is worth noting that the Modernity of these architects is their humanism. Central to humanism is respect for tradition and the belief in one's ability to transform it to answer the needs of one's age. In his review of Le Corbusier's Ronchamp Chapel for the Architectural Review in March 1956, Stirling wasn't scared of expressing his ...

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