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Ethics, Morality and the Formation of cultural studies intellectuals

INTRODUCTION

In his admirably cautious historical survey of the development of cultural studies, British Cultural Studies., Graeme Turner describes the field as having 'no orthodoxy', being 'predominantly a critical field'. Neither 'discrete' nor 'homogeneous', he continues, cultural studies insists it is interdisciplinary, dealing with 'phenomena and relationships ... not accessible through the existing disciplines', a point to which we return.1 In setting out the by-now familiar story of cultural studies' emergence in Britain, Turner highlights, among other things, three elements of relevance to my argument: one, the pioneering work of Richard Hoggart, Raymond Williams, EP Thompson and ...

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