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SHOCKHEADED PETER

It's been sixteen years since Peter Sellars, the whiz-bang director with the chipmunk smile and electrogel hair, escorted Don Giovanni to Harlem - sixteen years in which his imitators have kicked operas from era to era, costumed them in blue jeans and business suits and subtitled them in slang. Sellars was not the first or the boldest of the Regie rethinkers, but his top-to-bottom vision, his fundamental musicality and his fondness for genuine acting singers have made him the torchbearer of a movement -or the original sinner, depending on your point of view. The trio of Mozart's da Ponte operas is finally out on Decca DVDs, and the release affords a chance to peek at an old enthusiasm and ...

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