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HARRY POTTER AND THE GOBLET OF FIRE

The Harry Potter films occupy a peculiar place in cinematic lore. It is quite rare for a wildly successful film series (which Harry Potter undoubtedly is, in terms of box office receipts and fan base) to not eclipse or even enhance its source material. As revered as Mario Puzo's Godfather, Ian Fleming's James Bond, and J.R.R. Tolkien's Lord of the Rings series were, their silver screen renderings became, in our cultural mind's eye, the definitive incarnation of each work.

On the other hand, Harry Potter remains, first and foremost, a book series, with the films serving as little more than companion pieces. For the fourth entry, Harry Potter and the Goblet of Fire, Mike Newell assumes the ...

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